“All men are influenced by class-feelings,
and there are few who are intelligent.“
– Seventeen-article Constitution, Japan (603CE?).
The “Nihon Shoki” is a written account of early Japanese myth and history, compiled around 720CE. Among the events listed in its pages is the reign of the Emperor Kinmei. Claiming direct descent from the sun goddess, Amaterasu, Kinmei reigned as the traditional 29th emperor of Japan from 539CE until his death in 571. Most Japanese historians view Kinmei as the earliest archaeologically verified traditional Japanese monarch.
To secure his political status, Kinmei had established himself as the central leader of the “Yamato”, a powerful confederation of various feudal clans. His consort, Princess Kitashi, came from the powerful Soga clan. And according to the Nihon shoki, Kitashi gave birth to a daughter, the Princess Nukatabe, during the middle of the monarch’s reign in the year 554.
Precedent excluded Princess Nukatabe from inheriting her father’s authority, though there were powerful female rulers in various regions of ancient Japan. The princess’s official role, however, would be to further solidify the power of the Soga clan by becoming the consort of her own half brother, the Emperor Bidatsu, in 576 at the age of twenty-two, and with whom she would give issue to five daughters and two sons.
As the new leader of the Yamato confederation, Bidatsu sought also to consolidate a relationship with Korean Kingdoms, in part by adopting Buddhism. However, this led to conflicts with the Mononobe clan, who opposed abandoning the traditional Japanese gods through which they justified their own authority. This dispute would occupy much of Bidatsu’s attentions until his death in 585, apparently as one of the first recorded cases of smallpox in Japan.
Princess Nukatabe’s brother, Yōmei, would then take the throne. But his turbulent reign would last only two years before his own death at the age of forty-six. Fighting would then erupt between the Shintoist/anti-Buddhist forces of the Mononobe, and pro-Buddhists including the Sogas. But after the leader of the Mononobe clan was killed along with his own pretender to the throne, pro-Buddhist factions including the Sogas ultimately established complete control over the Yamato confederation.
By this time, the princess’s uncle, Soga Umako, had established himself as wielding the actual force behind the imperial monarch. And he used this power to effectively appoint Princess Nukatabe’s cousin, Sushun, to the throne. However, many Japanese scholars suspect that the person actually in control was in fact the princess herself, backed by her uncle, and with Yōmei and Sushun merely acting as male figureheads.
So in 592, when it looked as though the Emperor Sushun might have been consolidating a little too much independent power, Soga Umako arranged to have him assassinated. And with no acceptable male heirs, Umako requested that the then thirty-nine year old Princess Nukatabe should step in to fill the power vacuum. And thus, Princess Nukatabe became…
Empress Suiko, “Great Queen of Yamato”, and the 33rd monarch of Japan.
In her new role as now Empress Regnant, Suiko was already well versed in court politics. So she immediately established herself as more than another mere figurehead by appointing her then 19-year old nephew and Emperor Yōmei’s son, Shōtoku, as Prince Regent. This placed an influential hereditary buffer between herself and Soga Umako, despite their amicable relationship. Thus, Empress Suiko’s reign as the first traditional and archeologically verifiable female monarch of Japan would remain secure for thirty-six years.
Empress Suiko would continue endeavors to improve relations with other East Asian powers. In 594, she established Buddhism as the official religion through the “Flourishing Three Treasures Edict”. This helped to open relations with two large Korean kingdoms. But it also shrewdly served to further weaken the power of rival clans who continued to justify their own claims to authority as descendants of Shintō gods.
Shortly thereafter, Korean Buddhist monks familiar with Chinese culture arrived in Japan, establishing “Hōryū-ji”, a Buddhist temple presently known as including the world’s oldest existing wooden buildings. This cultural exchange also introduced many Chinese arts, technologies, traditions and practices to Japan. The Chinese calendar was adopted, and the Chinese writing system was adapted into the Japanese language, thus facilitating the very texts that would record the Empress Suiko’s own history. The empress also began a series of public infrastructural developments, including road and irrigation projects intended to interconnect cities and territories, improve trade, and to secure agricultural productivity.
Chinese construction techniques were also used in the building of a new imperial palace at Oharidano-miya in present-day Nara prefecture, which was completed in 603. Subsequently, Empress Suiko established a Chinese-based meritocratic, “rank and cap” systems into Japanese government. This bureaucratic reformation also led Empress Suiko to establish Japan’s first written constitution, the “Seventeen-article Constitution”. Rather than outlining a political system or set of laws, the document established a set of moral values and virtuous behaviors drawn from Confucian traditions and expected of government officials:
“Harmony is to be valued, and an avoidance of wanton opposition to be honored. All men are influenced by class-feelings, and there are few who are intelligent. Hence, there are some who disobey their lords and fathers, or who maintain feuds with the neighboring villages. But when those above are harmonious and those below are friendly, and there is concord in the discussion of business, right views of things spontaneously gain acceptance.”
During this time, Empress Suiko also softened her stance on Shintoism, encouraging its coexistence alongside Buddhism. This served both to prevent conflict and to help in the administration of state affairs. It also allowed for the peaceful introduction of Chinese cultural ideas, and began the uniquely Japanese syncretic blending of the two religions.
In 607, Empress Suiko sent the envoy, Ono no Imoko, to Sui China, where he presented a letter to to the Sui Emperor, Yang. Yang was infuriated by the letter’s content, which introduced the Japanese empress as an equal. Regardless, Chinese political intrigues compelled Yang to recognize Japanese sovereignty, thus aligning himself with the Korean kingdoms of Baekje and Silla. This first established Japan as a nation that was at least diplomatically commensurate to China.
Imoko, accompanied by a Sui envoy and a large group of scholars and monks would return to Japan, bringing knowledge of Sui dynasty Chinese cultural, legal, centralized government, and taxation systems with them. And they also brought strategically valuable information about events in China and on the Korean Peninsula that would further assist Empress Suiko in her dealings with the various power-shifts among mainland kingdoms.
The Nihon Shoki records Empress Suiko’s reign as overall a period of relative peace and prosperity for Japan under the guidance of a wise and compassionate ruler. Ultimately, she would outlive her nephew, Prince Regent Shōtoku, who would die at the age of forty-nine in 622, just days after the death of his consort. And she would also outlive the man who had first facilitated her rise to the throne, Soga Umako, who died in 626. But when Umako’s son, Soga no Emishi, took on his authority, imperial succession again became a source of conflict.
According to the Nihon Shoki, recognizing the approach of her death at a time of famine, Empress Suiko instructed that no resources should be consumed in constructing a mausoleum. Her final wish was that she instead be entombed with her first son, Prince Takeda, who it is believed died around the time of Suiko’s enthronement. Empress Suiko died on April 15th in the year 628, at the age of 74. She was given the Japanese Buddhist “shigō”, or posthumous name, Empress Toyomikushiyatahime, the Chinese kanji used to write the name suggesting that she had worked to feed her people.
The Nihon Shoki records that Empress Suiko was entombed with her son at the Ueyama Tumulus located at Gojono, in Kashihara City, Nara Prefecture. And archaeologists have indeed found two stone coffins at the site, believed to have been the original resting places of the empress and of her son. However, at some unknown later time, both were apparently reburied at Shinaga no Yamada no Misasagi (the Yamada Imperial tomb in Shinaga, a.k.a. the Yamada Takatsuka Tumulus) at Yamada, Taishi-cho, Minami Kawachi-gun, Osaka Prefecture.
Despite a traditionally patriarchal lineage to the Japanese imperial throne, there would be seven more Japanese empresses through the 18th-century. Two culturally founding empresses are also traditionally considered to have reigned well before Suiko, though their histories have become intertwined with mythology. Indeed, the Emperors of Japan are traditionally considered direct descendants of the goddess, Ameterasu, who is ranked highest among the Shintō hierarchy of gods. And the paleolithic religious traditions of Japan’s earliest inhabitants, still preserved in the Ryukyuan religious beliefs of the archipelago’s far southern islands, are uniquely matriarchal.
As a final note, the Nihon Shoki is as much about Japanese mythology as history. Even the kanji, or Chinese characters used to represent “Suiko” suggest a “push” against “antiquity”, echoing a time when Japan would transition into a new era. So while the Empress Suiko certainly existed as an actual person, some historians view her narrative merely as a justification for Shōtoku’s political power as Prince Regent, and suspect that the Seventeen-article Constitution was probably a later forgery. But while it can be difficult to discern historical truth from exaggeration, Empress Suiko’s reign did mark the emergence of Japan as a nation among nations. And her story remains at the very least an allegory for both pragmatic and compassionate leadership.
Images:
The legendary Empress Jingu, apocryphal 15th monarch of Japan, by Tsukioka Yoshitoshi (1880).
https://en.wikipedia.org/wiki/File:EmpressJinguInKorea.jpg
Portrait of the Empress Suiko by Tosa Mitsuyoshi of Eifuku-ji (temple) in Taishi, Osaka (1726).
https://en.wikipedia.org/wiki/File:Empress_Suiko_by_Tosa_Mitsuyoshi_1726_Eifukuji_Osaka.png
Painting of Empress Suiko (554 – 15 April 628) in the Asuka period, unknown artist.
https://en.wikipedia.org/wiki/File:Empress_Suiko_painting.png
You must be logged in to post a comment.